Patter, Intent, Flexibility, and Calibration are what makes a great hypnotist great.
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Patter smoothness comes with practice. This is what is meant when you hear some hypnotists say, “I’ve hypnotized my pillow hundreds of times.” This is the ‘linking language’ that takes you from each successful step to the next, as well as ‘thinking language’ that gives you a moment to decide on the next successful step.
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Intent means partly that you have a clear outcome in mind for each action you take. If you don’t know what you want, then you’ll never know if you’ve got it. Many mistakes are made regarding intent. Perhaps even most mistakes fall under this heading. The technique you use to get someone to the goal is not even slightly important, as long as you’re getting them to the goal.
Split Intent covers many issues, from confidence issues to ulterior motive issues. Your hypnotee WILL feel your intent, whether they realize it or not. Singlemindedness makes for EXCELLENT hypnotists.
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Calibration comes from watching the right things carefully. You must not be inside your head, thinking about everything if you are to calibrate well. You must be focused on the hypnotee, noticing their breathing, their eyes, their facial movements, their body language in general.
One of the biggest reasons that practicing Patter is crucial is because if you are focused on your own thoughts, you cannot focus on the hypnotee. Get the Patter down pat, so you can place your focus squarely where it will be most effective.
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Flexibility is what Calibration, Patter and Intent allow you to have: when you keep your goal in mind, and notice if things are going differently than your expectation, Flexibility lets you change things swiftly to correct course/change course. The most common need for Flexibility arises as an issue of speed. Some hypnotees process instructions very quickly, others process very slowly. The operator must Calibrate to this, and Flex as needed.
Vocabulary is another big spot where the operator needs to be Flexible. I hear lots of hypnotists trying to sound ‘smart’ (myself occasionally included!) when it’s not necessary. Big words get in the way of some hypnotees’ thinking processes.
Preferred senses are also important – if you hear a hypnotee talking about feelings forever, it’s a good bet you’ll get through to them better by using ‘feeling’ words, instead of ‘seeing’ or ‘hearing’ words.
Phenomena production (everything from locked eyelids to hallucinations) is the other spot where Flexibility is vital. When something isn’t going the way you expect, a large repertoire lets you change things up mid-stream and use a technique easier for the hypnotee to understand.
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Anyway, that’s my opinion, and it works for me so far. What works for you?